My “WTF” tag is getting a lot of use these days.
I had this strange idea that because the Seagull tonight wasn’t actually a Volkstheater production (it was by the Otto Falckenberg Schule, in the Volkstheater’s black box space), it might be a little more normal than most things I see there. Hah! This is Germany. Normal and theater don’t go together. But usually I can puzzle out what is going on. Here, I had absolutely no clue what director Stephanie van Batum was thinking.
It actually started fairly normally. I mean, sure, we were in the modern era. A fashion runway served as the stage. The women all wore crop tops and impossibly short skirts. Trigorin made notes of anything that inspired him on his smartphone. Kostja had to remove the plastic packaging from his ‘seagull’ meat before dropping it on Nina’s doorstep. But we were seeing Chekhov’s play. I didn’t love the overdrawn, caricature-like portrayals of most of the characters—particularly in such a small space—but that choice did work to emphasize the play’s darkly comedic aspects, and it made the two more naturalistically acted characters (Nina and Kostja) stand out in contrast. (Nina became more over-the-top as she was seduced by the lure of fame and of Trigorin.) The young ensemble was, without exception, extraordinarily talented.
And then the final scene happened. People had… transformed. Doktor Dorn was Andy Warhol. Arkadina: Marilyn Monroe. Sorin: Hugh Hefner. Trigorin: James Dean. Mascha: Amy Winehouse. They stood along the runway and delivered their lines infuriatingly slowly, with lots of long pauses. Nina and Kostja—still themselves—stood at the end of the runway and vibrated to thrumming bass. (Were they on a train? Or in a station? I didn’t quite understand the noise and shaking.) They dripped sweat. They talked unnaturally quickly. Nina was confused—was she a seagull or an actress?—but she managed to find her footing and step onto the runway. She suddenly stopped vibrating and regained her normal voice. Kostja simply fell over, presumably dead. The others took no notice.
This is not a review but a plea for help. Does anyone have any idea what could have been happening here? I understand that the choice of celebrity for each Chekhov character reflected that person’s attributes, but why the transformation? Why the shaking? Why the utterly undramatic death that didn’t even seem like a suicide? I’m lost.