In preparing to review Le Comte Ory as performed by the Opernstudio of the Bayerische Staatsoper, I discovered a new operatic delight. There’s nothing serious about Rossini’s short opera of disguises and mistaken identities, and the music can be almost Gilbert-and-Sullivan-like with its patter and call-and-response choruses. It’s wonderful fun. Unfortunately, while the 80s setting for the Opernstudio production showed promise, the slapstick direction by Marcus Rosenmüller often undermined the comedy rather than adding to it. The young cast was generally quite good, though, especially mezzo-soprano Marzia Marzo in the trouser role of Isolier. My full review (for Opera Online, a French website I will be writing for more in the future) is here.